Custom built for Khn de Poitrine
At Light Speed
From the first concept sketch on April 20 to the completed guitar on May 28, just 38 days elapsed. For a fully custom instrument of this complexity, that's an extraordinary achievement. Designing a one-of-a-kind model, refining the concept with the artist, engineering custom components, building prototypes, and handcrafting the final instrument would normally take months.
A Truly One-of-a-Kind Instrument
Nothing about this guitar came from an existing catalogue model. The body, dual necks, electronics, hardware, and even the custom hardshell case were conceived and built exclusively for this project, resulting in an instrument unlike anything else.
While this is not the first double-neck microtonal guitar/bass ever created, it is Godin Guitars' interpretation of what such an instrument can be. Working closely with Angine de Poitrine, our goal was to elevate the concept into a truly professional-grade instrument—one that delivers exceptional playability, reliability, craftsmanship, and tone while meeting the demanding requirements of a touring musician.
Built Together
Every detail was developed through close collaboration between Simon and Angine de Poitrine. From the overall concept to the pickguard, finishes, graphics, and visual details, each element evolved through an ongoing creative exchange until it perfectly reflected the artist's vision.
Purpose-Built Components
Every custom part served a purpose. Quarter-tone frets, dice control knobs, phosphorescent position markers, and a custom-built case made in Quebec were all specially designed to meet the unique creative and performance requirements of the instrument.
Handcrafted at Godin
From the very first sketch to the final setup, every stage of the build took place in the Godin workshops. The body, both necks, electronics, finish, and countless custom details were designed and handcrafted specifically for Angine de Poitrine. The result is a unique, professional-quality instrument that reflects both the artist's vision and Godin's commitment to innovative design, precision craftsmanship, and uncompromising performance.
Specs
Body
- Basswood body
- Full black pickguard
- Dual output jacks on the lower bout
- Independent electronics — guitar and bass sections
Neck — guitar
- 25.5" scale length
- Reverse headstock
- Graphtech nut
- Stainless frets
- Maple neck
- Richlite fingerboard
- No fret markers
- Microtonal markers: alternating black painted lines and glow-in-the-dark
Neck — bass
- 34" scale length
- Standard headstock orientation
- Maple neck
- Graphtech nut
- Stainless frets
- Richlite fingerboard
- No fret markers
- Microtonal markers: alternating black painted lines and glow-in-the-dark
Project team
Simon Godin
Design and artist relations
Vincent Cléroux
Project management, fretting, shaping and electronics
Daniel Fiocco
Design, purchasing, shaping and assembly
Jean-Sébastien Morin
Programming and routing (bodies, pickguards)
Dave Leblanc
Neck drafting and machining
Carlos Prada
Body and pickguard drawings
Michaël Deschene, ing.
Fret placement, finish management, ordering and phosphorescent testing
Stéphane Poulin, ing.
Dice knob fabrication
Marc-Olivier Percy
Wood selection, fretting, sanding
Glenn Tucker
Headstock logo design and photography
Nicolas Beaudoin
Finish on one body and the necks
Julie Charron
Finish on two bodies
Paul Bédard
Polishing on two bodies
Doris Tremblay
Sanding on bodies and necks
Patrick Mercier
Prep, electronics and final assembly
Christopher Thomson
Scratch testing and ordering
Paul Carter
Creative content and logistics
Olivier Bigras
Website and digital experience
